Wax Seals & Stamps
Anne Lister was a dedicated letter writer as were many of her friends.
Since the Middle Ages, sealing wax has been used as a closure with parchment and paper, applied directly to documents or attached as a pendant. Wax seals cannot be removed without visibly displaying evidence of tampering. Therefore, they could be relied upon to fasten correspondence and secure documents from prying eyes between the time of having been sealed by the writer until delivery to the intended recipient.
Often the stamps used to make an impression in the wax seal were engraved with a motif that connected the seal with its owner, so a seal could also be used to validate a document and prevent forgeries. It was common for people to use stamps with their initials, coat of arms, or other insignia as their personal mark on the sealing wax.
During her life, Anne acquired and gifted many stamps that were used in diverse items of correspondence, including business correspondence and letters to her wide circle of friends. She detailed the processes of carefully choosing mottos or selecting the material from which a stamp was to be carved in her journal.
Some examples of stamps Anne owned were adorned with: the Lister coat of arms, a new moon rising over the sea with the words "Si je te perds, je suis perdu", among others. One of the oldest stamps Anne Lister used was gifted to her by her mother, Rebecca Lister, and it was adorned with a pelican feeding its chicks.
Examples of custom stamps Anne had created for others as gifts include a seal of a violet flower among a tuft of grass with the motto, “Il faut me chercher" [I must be sought] cut into amethyst for Sibbella Maclean and one carved into bloodstone reading "Foi est tout” [Faith is everything] in block letters on a scroll for Ann Walker.
Sticks of wax were heated by candles or lamps, allowing the wax to drip or be pressed to the paper, and a stamp used to apply an impression in the wax while still soft.
Different classes of seals were used for various purposes, ranging from royal and civic to private use. They could come in many shapes, sizes, and colors, sometimes relating to the type of document attached. Examples of black wax and black-edged paper being used during periods of mourning can be found on letters in the archives and recorded in Anne's journal. In some cases, this was noted as an extension or acknowledgment of someone else's grief.
Photos by Shantel Smith, source: West Yorkshire Archive Service, Calderdale (SH:7/ML/897)
The inconvenience of using a naked flame in close proximity to paper and parchment led to the use of adhesive paper, or wafer seals, in the 19th century. These were made from wheat flour to form a thin, smooth, paste that after being heated and set functioned more like a sticker. Wafers lacked the pleasing aesthetic of wax seals, but reduced the expense of postage due to the weight of a letter and for this reason were popular in Paris.
It's worth noting that while Anne Lister displayed consistency and documented the kind of meaningful intent she put into her selection of paper, wax color, or choice of seal, that was not necessarily the same for all of her correspondents.
There are examples that indicate Ann Walker used seals that were at hand as a matter of convenience on more than one occasion. While in Scotland in 1833, Ann Walker sealed some of her letters using Captain George Mackay Sutherland's seal (his coat of arms, with a cat and the clan's motto "Sans Peur"). Later, while living at Shibden Hall she often sent letters using some of Anne Lister's seals despite having many of her own.
Seals and stamps, from Anne Lister and her correspondents
In Anne's correspondence, there's a rich and diverse variety of wax seals and stamps, all of which tell a part of the personal history of their owners. This spreadsheet is a collaborative effort to compile as many descriptions of the known seals used by Anne Lister and her correspondents as possible.
To view all the rows in the spreadsheet, click the 'Open Spreadsheet' button in the top right corner of the sheet.
This project is made possible through ongoing contributions from the following people:
How to contribute to this project
Request access to edit the spreadsheet. Please include an email address that is associated with a Google account (this is the only requirement to participating in this project). If you don't have one, here's how to do it.
You will receive an email confirming you have editorial access.
Once granted access, you can add a new item to the list, organized by date.
Locate the correct volume and click the (+) to expand the rows.
Add your row to the appropriate place in the list.
Tip: Don't worry about completing each column for your entry. Add the information you have and hopefully others will have more information to contribute.
All information in this spreadsheet is in English, but please preserve the names of the people as written by Anne Lister and others.
Anyone can help research and add additional information for each references in this spreadsheet.